Journey To Atlantis

The Edge Of Time



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Bandcamp. If you've heard of it you'll know why we are using it! If you've not heard of it you'll thank us for telling you!

Can you imagine a website where bands can upload full resolution audio files (.aiff) and you can chose what type of format your download is, and there's a minimum of third party overheads reducing the band's income.

Imagine no more because that's what Bandcamp is. By starting with the highest possible quality source, they’re able to convert our tracks into a bunch of different format and quality combinations for you to listen to, including MP3 (320, VBR V0), Ogg Vorbis, Apple Lossless, FLAC and AAC (aka .m4a or iTunes store format)

You can see why we have chosen bandcamp as our supply partner for our downloads.

Having said that In the days of our demo recordings the facilities available to up-coming bands were rather basic compared to this century!

The demo tracks were mostly recorded on a cassette based "portastudio" or in some cases directly off the sound desk at gigs but this also imbues the tracks with a certain 'patina', which given their 30+ years age is quite fitting, so please understand that these are not modern recording studio quality. We're currently leaving the tracks open for streaming so you can hear what you are getting before buying!

Click here for Pallas Downloads at Bandcamp




Over the next 9 months, in the lead up to a UK and European tour in September 2020, Pallas are embarking on far-ranging series of retrospective anthologies, including archive videos, free downloads of gig recordings and demos, as well as a series of CDs.


With such an extensive and varied back catalogue, it was fitting that these anthology CD’s would not just be re-mastering or slight remixing exercises but a deeper exploration of the band’s varied trademark sounds.The first of these retrospective anthology CD’s is entitled ‘The Edge Of Time’








The band has always featured both atmospheric and cinematic moments on albums throughout their history and this collection of new versions sets out to explore that element of the band further.


Niall Graeme and Ronnie have been involved in film music side projects and have brought added cinematic elements to some tracks, whilst others follow a more atmospheric interpretation. The overall chilled and laid back concept of the album harks back to the days of plugging in the headphones and immersing yourself in a soundscape.


 Initially, the CD will only be available directly through the band’s Bandcamp site, which also includes downloads in many formats including lossless, complete with a selection of alternate versions.


 The featured tracks encompass the whole of the band’s recorded career and are:


1. Ghostdancers


The album gets off to a relatively familiar start with the least stripped down of the featured tracks. Much of the original instrumentation of Ghostdancers, from The Dreams of Men, remains but the main focus is given to the violin parts contributed by the acclaimed Traditional Scottish fiddler Paul Anderson.


2. Violet Sky


After a linking section of ambience the atmospheric Violet Sky, originally on 'XXV', features new Spanish guitar from Niall Mathewson over a lush atmospheric background. 


3. New Life


The atmospheric vibe continues with a stripped-down haunting version of New Life originally from the 'wearewhoweare' album this mix features a gentle acoustic guitar in place of the original solo.


4. Just A Memory


A new interpretation of Just A Memory, originally on ‘The Wedge’, continues the laid back atmosphere with a mellow cello taking the main melody part over a mixed percussion bed.


5. In Cold Blood


A radical re-interpretation of In Cold Blood, from ‘wearewhoweare’, carries us into an imagined soundtrack for a modern-day horror movie.


6. Ark Of Infinity


Delving back to ‘The Sentinel’ period the album enters an orchestral territory with a full-blown cinematic treatment of Ark Of Infinity. Originally titled after a Dr Who story the space exploration motif is continued with some parts sounding like potential Star Trek or Star Wars themes, which could only be hinted at with the technology available at its original recording.


7. The Blinding Darkness Of Science


Continuing the orchestral section of the album, The Blinding Darkness Of Science, originally from ‘The Cross and Then Crucible’ has a sense of urgency in tune with the increasing pace of technology.


8. Something In The Deep


Both atmospheric and cinematic, Something In The Deep a track originally on 'XXV', features a new end section complete with sirens calling the unwitting to the deep.


9. This Haunted Land


Somewhere between the Deep and the Edge of Time lies a haunted land of shimmering orchestras and ethereal voices. This Haunted Land is a track from keyboard player Ronnie Brown and his collaborator Bill Marshall which lends a special orchestral atmospheric ambience as an extended link piece to the final track


10. Stranger On the Edge of Time


Starting life in the early 80s as the experimental B side to the original ‘Arrive Alive’ single, the album concludes with this special 21st-century re-imagining of its’ keyboard pulse and mellotron quirkiness, with Paul Mackie adding some spacey vocals, the track finally fades away into infinity.














1. GHOSTDANCERS - Special 2020 Vocal mix


Last week Paul added a vocal and Niall made some more production changes to the new version of Ghostdancers that was sitting in the computer!


2. INVINCIBLE - End Section work in progress 2020 Mix


We expect to include a new and extended version of Invincible on the next remix album, this is a work in progress look at the end section 


3. FRAGMENTS OF THE SUN - Work in progress 2020 Mix


This is just a work in progress snapshot with Paul trying out a vocal and before a new real choir and other goodies are added, for what will be the title track 


4. ARK OF INFINITY - New orchestral version as featured on The Edge Of Time CD


5. NEW LIFE - From the wearewhoweare CD


6. SOMETHING IN THE DEEP  - New version as featured on The Edge Of Time CD


7. XXV PART 1 - From the XXV CD


8. XXV PART 2 - From the XXV CD


9. THE LAST ANGEL - End Section remix From The Dreams Of Men CD









Complied directly from the band's own private collection of live cassettes and never heard before, this selection from the early 80's takes us back to the gigs in Scotland where every weekend Pallas perfected their craft at venues such as the Dial Inn, Cuinzie Neuk, Bungalow Bar, Ochil Hills, Rothes Arms etc.


The success of these seminal days resulted in the self-financed recording of the original cassette album 'Arrive Alive', which was then picked up by a management company and released on Vinyl, subsequently resulting in the band being signed by EMI and the recording of the groundbreaking 'The Sentinel' album.


Sit back and travel in time to the formative gigs of the Pallas sound!


1. Echoes - Once in a while, the band would play this cover version as a special treat.


There has been a bootleg of 'Echoes' doing the rounds since the early 80's when it was played as a soundcheck at a venue that was hosting a Biker's wedding in the afternoon before the gig, but this version from the Dial Inn in Glasgow has never been available before.


2. 5 to 4 - Here's a track with an enigmatic title. It was written after the original keyboard player Mike Stobbie had left the band and before Ronnie Brown joined, the band had become a four-piece rather than five-piece. This 'journey' became the narrative for the lyrics.


3. I Know What I Like - Another cover version to entertain the audience, though the cover versions included here veer towards the progressive side of rock other cover versions of the time included Deep Purple etc.


4. Queen Of The Deep - This track was originally written when Mike Stobbie was in the band, and this version is one of the first times that Ronnie Brown played it. Mike remains a close friend of the band and has stepped in for Ronnie a few times since he left.


5. Moonline - Another transitional track, Moonline was a song that was played by line ups featuring both Mike and Ronnie on keyboards and Craig and Euan on vocals.


6. Flashpoint - On the rockier end of the Pallas spectrum 'Flashpoint' used to raise the rafters!


7. Heart Attack - Not the first, and by no means the last, of the recurring theme of war and man's inhumanity to man in the Pallas canon, Heart Attack dwells on the threat of nuclear war.


8. Crown Of Thorns - Probably one of the most definitive Pallas tracks gets an early airing.


9. The Ripper - A pinnacle of theatrical rock this track needs no explanation!


10. The Knife/Los Endos - This was often a finale or encore in the band's repertoire for quite a few years and line ups before Atlantis was written!

Also available to download on Bandcamp: 'The Arrive Alive Demos' 'The Sentinel Demos' and 'The Sentinel Rough Mixes' 

Download The Sentinel Rough Mixes & Demos

We have recently uncovered the rough mixes of The Sentinel which the band took away with them from the Eddy Offord's studio in Atlanta, which gives another insight into what the LP could have been had fate not intervened.

During the last few days before the band left the Studio in Atlanta Eddy Offord sat at the sound desk with them and made a rough mix of the album - which can be compared and contrasted with the two mixes that were later released.

It is well known that the band and record company were not happy with the final mix, which had been rushed to accommodate a new project Eddy was hired for by a band with considerable more clout than they had, and a remix was made for the later american release.



Click here to download Sentinel Rough Mixes at Bandcamp



We have also re-worked a previously only available as medium quality mp3 exclusive release "The Sentinel Demos" and made it available at much better quality through our new bandcamp facility to give you some idea of what a double album of The Sentinel may have been like.


This extensive archive of rehearsal and live recordings includes the tracks that would have been on the album had it been a double and never found their way onto B sides and the later CD are: A New Age DawnsThe ScrollsThe Cell, Flashpoint 2, and The Calm Before the Storm which explore the storyline in much more detail than the truncated eventual LP did.




Click here to download Sentinel Demos at Bandcamp



Download The 2013 Set Rehearsals

The band recorded the rehearsals for the pre-christmas gigs at The Mill Recording Studios in Banchory and it was mixed down by Niall Matthewson in time to be available as a cd at the gigs. 

The set includes some old tracks not played for some years and two brand new tracks from the forthcoming album 'wearewhoweare' appearing here with their working titles which may change over the next few months!

There's fifteen tracks which is an hour and three quarters of music at only £8 for the download, the track list is:- 

1. Crown of Thorns, 2. Imagination, 3. Rat Racing, 4. Falling Down, 5. New Life/(Is This) Your Life* New Track!, 6. Shadow of the Sun* New Track!, 7. Ghostdancers, 8. Blood and Roses, 9. Midas Touch, 10. Rise and Fall, 11. East West, 12. March on Atlantis, 13. Atlantis, 14. Arrive Alive, 15. Cut and Run

The download also includes the wearewhoweare trailer video and audio, artwork and artwork for each of the gig posters !


Click here for Set 2013 at Bandcamp



3. Ascension


I quite often have musical ideas come to me through the night and when they do I just have to get up and get the idea recorded there and then or it WILL be gone in the morning. This track is one of those. The subject, chorus, drumbeat and bass came first and I later hung the chords and verse melody on it. The lyrics are taken from the dream I was having at the time.

I had recorded a guide vocal myself with the view that it would be re-recorded later by someone who could actually sing, but people that heard it seemed to like my voice. I had been working with Robert Bruce (not that one) on his own solo album and asked him if he would like to give Ascension a go. It is his voice singing the higher part on the chorus.


I had also been working with a guy called Gerry Jablonski (local blues legend) who wanted to try putting vocals on it as well. I really loved what he did, as he took the track to a different place all together. That version will be released as a bonus track.



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